Red Rock Sound Comp 609 Free Download recreates sound of the hardware compressor from ’70s. This dynamics processor packs a recognizable musical punch heard on countless records around the world.
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Designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.
Among The Features of Red Rock Sound Comp 609
This module allows you to select a compressor from four available. The compressors are arranged in series, this allows you to process channels with different compressors. For example: the first compressor is only the mid channel, the second compressor is only the side channel, the third compressor is the left and right channel. For multi-channel modes: the first compressor is only the left and right channels, the second compressor is the center channel, the third compressor is the LFE, etc.
In order to turn on the solo (listen) of the compressor, double-click on the selected compressor number. The compressor in solo mode glows yellow, to exit solo mode, double-click again. For two-channel modes, only one compressor can be solo mode. For multi-channel modes, one or more compressors can be soloed.
To bypass compressor processing, press the selected compressor number one click + shift.
You can also copy all compressor settings to another compressor. To do this, select the compressor from which you want to copy the settings, then click on the copy button, then select the compressor to which you want to copy the settings.
Input Routing
Red Rock Sound Comp 609 ‘s Input Routing lets you choose between 44 common channel setups, starting from Stereo up to 7.1.4 and 9.1.6. Simply select in the input routing module the channel setup that fits your track.
Channels Selection
In Red Rock Sound Comp 609, you can select (activate) the channels that the compressor will process.
SC Filter (Sidechain filter)
This knob controls continuously variable shelving filter circuit in the compressor input. The sidechain filter allows removal of low-frequency content from the control sidechain, reducing excessive gain reduction and/or “pumping” on bass-heavy audio signals without reducing bass content of the audio signal itself.
Note: The sidechain filter only acts on the sidechain signal. While it can produce an audible change in dynamics behavior, it does not act directly on the signal that is output from the plug-in.
At the fully counterclockwise position, the filter is defeated, and does not affect compressor behavior. As the HPF knob is rotated clockwise, the filter is engaged and its frequency sweeps between 30-240 Hz, allowing for a wide range of relationships between bass level and gain reduction.
Input (Input Gain)
Input Gain controls the signal input level to selected compressor. The available range is -20 dB to +20 dB.
Saturation
Saturation controls the level of harmonics added to the signal. Saturation will not increase gain, just harmonic distortion. The distortion is mild and adds some coloration.
Makeup
Makeup control increases the signal level out of the compressor to compensate for reduced levels as a result of compression. The available range is -20 dB to +20 dB. This control does not affect the amount of compression.
Sat. On (Saturation on)
This toggle switch enables the Analog Saturation. The saturation has no effect unless this switch is in the «On» (down) position.
Red Rock Sound Comp 609 Free Download
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